Difference between revisions of "Stanford, Charles Villiers (composer)"
From WikiDiscography
Line 3: | Line 3: | ||
----- | ----- | ||
+ | |||
+ | This is a '''List of compositions by [[Charles Villiers Stanford]]'''. | ||
+ | |||
+ | ==Operas== | ||
+ | * ''Lorenza'', Op. 55 (unpub.) | ||
+ | * ''The Veiled Prophet of Khorassan'' (1881) | ||
+ | * ''[[Savonarola]]'' (1884) | ||
+ | * ''The Canterbury Pilgrims'' (1884) | ||
+ | * ''Shamus O'Brien'', Op. 61 (1896) | ||
+ | * ''Christopher Patch, the Barber of Bath'', Op. 69 | ||
+ | * ''[[Much Ado About Nothing (opera)|Much Ado About Nothing]]'', Op. 76a (1901) | ||
+ | * ''The Critic, or An Opera Rehearsed'', Op. 144 (1916) | ||
+ | * ''The Travelling Companion'', Op. 146 (produced 1925, posth.) | ||
+ | * ''The Marriage of Hero'' (unpub.) | ||
+ | * ''The Miner of Falun'' (Act I; unpub.) | ||
+ | |||
+ | == Orchestral works == | ||
+ | |||
+ | === Symphonies === | ||
+ | *[[No. 1 in B flat major (1876)]] | ||
+ | *No. 2 in D minor, "Elegiac" (1882) | ||
+ | *No. 3 in F minor, "Irish", Op. 28 (1887) | ||
+ | *No. 4 in F major, Op. 31 (1888) <ref name="a">{{cite web | ||
+ | | last = Howell | ||
+ | | first = Christopher | ||
+ | | authorlink = | ||
+ | | coauthors = | ||
+ | | title = Stanford and Musical Quotation | ||
+ | | work = | ||
+ | | publisher = MusicWeb International | ||
+ | | year = 1997 | ||
+ | | url = http://www.musicweb-international.com/classRev/2003/Oct03/Stanford_Quotation.htm | ||
+ | | doi = | ||
+ | | accessdate = 2007-03-17 }}</ref> | ||
+ | *No. 5 in D major, "L'Allegro ed il Pensieroso", Op. 56 (1894) | ||
+ | *No. 6 in E flat major, "In Memoriam [[George Frederic Watts|G. F. Watts]]", Op. 94 (1905) <ref name="a"/> | ||
+ | *No. 7 in D minor, Op. 124 (1911) | ||
+ | |||
+ | === Concertos === | ||
+ | *Piano Concerto in B flat major, WoO (early- no. "0") (1874)<ref name="cello and piano">{{cite web|last=France|first=John|date=August 2007|title=STANFORD Cello Concerto, Piano Concerto No. 3 SRCD321: Classical CD Reviews|publisher=MusicWeb International|url=http://www.musicweb-international.com/classrev/2007/Aug07/Stanford_SRCD321.htm|accessdate=2007-08-08}}</ref><ref name="Dibble2002">{{cite book|url=http://books.google.com.au/books?id=VevXghb1SwoC&printsec=frontcover#v=onepage&q&f=false|title=Charles Villiers Stanford: Man and Musician|last=Dibble|first=Jeremy|authorlink=Jeremy Dibble|publisher=Oxford University Press|year=2002}}</ref> | ||
+ | *Violin Concerto in D major, WoO (early, 1875) <ref name="cello and piano" /><ref name="Dibble2002" /> | ||
+ | *[[Cello Concerto (Stanford)|Cello Concerto in D minor]], WoO (1879/1880) <ref name="cello and piano" /> | ||
+ | *Suite in D for violin and orchestra, Op. 32 | ||
+ | *[[Piano Concerto No.1 (Stanford)|Piano Concerto No. 1 in G major]], Op. 59 | ||
+ | *Concert Variations upon an English Theme "Down Among the Dead Men" for piano and orchestra in C minor, Op. 71 | ||
+ | *[[Violin Concerto No. 1 (Stanford)|Violin Concerto in D major]], Op. 74 | ||
+ | *Clarinet Concerto in A minor, Op. 80 | ||
+ | *Piano Concerto No. 2 in C minor, Op. 126 (1911) | ||
+ | *Violin Concerto No. 2 in G minor, Op.162 (1918) <ref>{{OCLC|270569607}}</ref> | ||
+ | *Piano Concerto No. 3 in E flat major, Op. 171 (1919; unfinished, orchestrated by [[Geoffrey Bush]]) <ref name="cello and piano"/> | ||
+ | *Variations for violin and orchestra, Op, 180 (1921) <ref name="Dibble2002" /> | ||
+ | *Concert Piece for organ and orchestra, Op. 181 (1921) <ref name="Dibble2002" /> | ||
+ | |||
+ | === Irish Rhapsodies === | ||
+ | *Irish Rhapsody for orchestra No. 1 in D minor, Op. 78 | ||
+ | *Irish Rhapsody for orchestra No. 2 in F minor, Op. 84 ("The Lament for the Son of Ossian") | ||
+ | *Irish Rhapsody for cello and orchestra No. 3, Op. 137 | ||
+ | *Irish Rhapsody for orchestra No. 4 in A minor, Op. 141 ("The Fisherman of Loch Neagh and what he saw") | ||
+ | *Irish Rhapsody for orchestra No. 5 in G minor, Op. 147 | ||
+ | *Irish Rhapsody for violin and orchestra No. 6, Op. 191 | ||
+ | |||
+ | === Other orchestral works === | ||
+ | *Funeral March 'The Martyrdom' | ||
+ | *''Oedipus Rex'', [[incidental music]], Op. 29 | ||
+ | |||
+ | == Choral works == | ||
+ | |||
+ | === Anthems and motets === | ||
+ | *''And I saw another Angel'' (Op. 37, No. 1) | ||
+ | *''Eternal Father'' (Op.135) | ||
+ | *''For lo, I raise up'' (Op. 145) | ||
+ | *''If thou shalt confess'' (Op. 37, No. 2) | ||
+ | * 'How beauteous are thy feet' (published 1923) | ||
+ | *''The Lord is my Shepherd'' (composed 1886) | ||
+ | *''Three Latin Motets'' (Op. 38, 1905) | ||
+ | **''Justorum animae'' | ||
+ | **''Coelos ascendit hodie'' | ||
+ | **''[[Beati quorum via (Stanford)|Beati quorum via]]'' | ||
+ | *''Engelberg'' (1904) | ||
+ | |||
+ | === Services === | ||
+ | *Morning, Evening, and Communion [[Service (music)|service]]s: | ||
+ | **B flat major (Op. 10) | ||
+ | **A major (Op. 12) | ||
+ | **F major (Op. 36) | ||
+ | **G major (Op. 81) | ||
+ | **C major (Op. 115) | ||
+ | **D major for Unison Choir (1923) | ||
+ | *[[Magnificat]] and [[Nunc dimittis]] settings: | ||
+ | **E flat major (1873; publ. 1996) | ||
+ | **F major ([[Queens' College, Cambridge|Queens']] Service) (1872; edited Ralph Woodward and publ. 1995) | ||
+ | **on the 2nd and 3rd [[Musical mode#Church modes|Gregorian Mode]]s (1907) | ||
+ | **A major (Op. 12) | ||
+ | **B flat major (Op. 10) | ||
+ | **C major (Op. 115) | ||
+ | **G major (Op. 81) | ||
+ | |||
+ | === Miscellaneous === | ||
+ | *''On Time'', Choral Song for unaccompanied double choir, Op. 142 Poem by [[John Milton]] | ||
+ | *Magnificat in B flat major for unaccompanied double choir, Op. 164 (September 1918): dedicated to the memory of [[Hubert Parry|Parry]] | ||
+ | *[[Pater Noster]] (1874) | ||
+ | *4 Part-Songs for SATB, Op. 47 (1892) | ||
+ | **Soft, soft wind | ||
+ | **Sing heigh ho | ||
+ | **Airly Beacon | ||
+ | **The Knight's tomb | ||
+ | *Six Elizabethan Pastorals for SATB, Op. 49 | ||
+ | **To his flocks | ||
+ | **Corydon, Arise! | ||
+ | **Diaphenia | ||
+ | **Sweet love for me | ||
+ | **Damon's Passion | ||
+ | **Phoebe | ||
+ | *Six Elizabethan Pastorals for SATB (Second set), Op. 53 | ||
+ | **On a hill there grows a flower | ||
+ | **Like Desert Woods | ||
+ | **Praised be Diana | ||
+ | **Cupid and Rosalind | ||
+ | **O shady vales | ||
+ | **The Shepherd Doron's jig | ||
+ | *Six Elizabethan Pastorals for SATB (Third set), Op. 67 | ||
+ | **A carol for Christmas | ||
+ | **The Shepherd's anthem | ||
+ | **Shall we go dance? | ||
+ | **Love in prayers | ||
+ | **Of disdainful Daphne | ||
+ | **Love's fire | ||
+ | *Six Irish Folksongs for SATB, Op. 78 | ||
+ | **Oh! breathe not his name | ||
+ | **What the bee is to the flow'ret | ||
+ | **At the mid hour of night | ||
+ | **The Sword of Erin | ||
+ | **It is not the tear | ||
+ | **Oh the sight entrancing | ||
+ | *4 Part-Songs, for Male Voices TTBB, Op. 106 | ||
+ | **Autumn Leaves | ||
+ | **Love's Folly | ||
+ | **To his flocks | ||
+ | **Fair Phyllis | ||
+ | *4 Part-Songs, for SATB (also for SSAA) Op. 110 | ||
+ | **Valentine's Day | ||
+ | **Dirge | ||
+ | **The Fairies | ||
+ | **Heraclitus | ||
+ | *3 Part-Songs, for SATB Op. 111 | ||
+ | **A Lover's Ditty | ||
+ | **The Praise of Spring | ||
+ | **The Patient Lover | ||
+ | *8 Part-Songs for SATB, Op. 119 (to poems by [[Mary Elizabeth Coleridge]]) | ||
+ | **The Witch | ||
+ | **Farewell, my joy | ||
+ | **The Blue Bird | ||
+ | **The Train | ||
+ | **The Inkbottle | ||
+ | **The Swallow | ||
+ | **Chillingham | ||
+ | **My heart in thine | ||
+ | |||
+ | === Works for choir and orchestra === | ||
+ | * ''[[Elegiac Ode]]'', Op. 21 (1884), words from ''[[When Lilacs Last in the Dooryard Bloom'd]]'' by [[Walt Whitman]] | ||
+ | *''The Revenge'', a ballad of the fleet, Op. 24 (1886) Words by Alfred, Lord [[Tennyson]] | ||
+ | * [[Mass (Stanford)|Mass in G major]], Op. 46 | ||
+ | *[[Requiem]], Op. 63 (1896) <ref name="a"/> | ||
+ | *''[[Te Deum]]'', Op. 66 (1898; written for the Leeds Festival) | ||
+ | *''Songs of the Sea'' for solo baritone, choir (mixed or men's voices) ad lib. and orchestra, Op. 91 (words by [[Henry Newbolt]]) | ||
+ | *''Songs of the Fleet'' for solo baritone, SATB and orchestra, Op. 117 (words by Henry Newbolt) | ||
+ | *''At the Abbey Gate'', cantata for solo baritone, SATB and orchestra, Op. 177 (1921) | ||
+ | |||
+ | === Songs for solo voice(s) and piano === | ||
+ | *Six Songs (Op. 19) | ||
+ | *3 Songs to poems by [[Robert Bridges]] (Op. 43) | ||
+ | *A Cycle of (9) Songs from The Princess of Alfred, [[Lord Tennyson]] for Quartet of solo voices (SATB) and piano (Op. 68) | ||
+ | *''An Irish Idyll'' in Six Miniatures, words by [[Moira O'Neill]] (Op. 77) | ||
+ | *''Songs of Faith'' Set 1 (Tennyson) (Op. 97, 1-3) | ||
+ | *''Songs of Faith'' Set 2 ([[Walt Whitman]]) (Op. 97, 4-6) | ||
+ | *''A Sheaf of Songs from Leinster'': 6 songs to words by [[Winifred Mary Letts]] (Op. 140) | ||
+ | *''Crossing the bar'' Words by Alfred, Lord [[Tennyson]] | ||
+ | *''La belle dame sans merci'', poem by [[John Keats]] | ||
+ | *''A Corsican Dirge'', poem translated from the Corsican by Alma Strettell | ||
+ | *''Prospice'', poem by [[Robert Browning]] | ||
+ | *''The Milkmaid's song'' and ''The Lute Song'', poems from "Queen Mary" by Alfred, [[Lord Tennyson]] | ||
+ | *''To Carnations'', poem by [[Robert Herrick (poet)|Robert Herrick]] | ||
+ | *''Why so pale?'', poem by Sir [[John Suckling (poet)|John Suckling]] | ||
+ | |||
+ | == Chamber Music == | ||
+ | *[[String quartet]]s | ||
+ | **No. 1 in G major, Op. 44 (1891) | ||
+ | **No. 2 in A minor, Op. 45 (1891) | ||
+ | **No. 3 in D minor, Op. 64 (1897) | ||
+ | **No. 4 in G minor, Op. 99 (1907) | ||
+ | **No. 5 in B flat major, Op. 104 (1908) | ||
+ | **No. 6 in A minor, Op. 122 (1910) | ||
+ | **No. 7 in C minor, Op. 166 (1919) | ||
+ | **No. 8 in E minor, Op. 167 (1919) | ||
+ | *Other works for string ensemble | ||
+ | **[[String quintet]] No. 1 in F major, Op. 85 for two [[violin]]s, two [[viola]]s & [[cello]] (1903) | ||
+ | **String quintet No. 2 in C minor, Op. 86 (1903) | ||
+ | *[[Piano trio]]s | ||
+ | **No. 1 in E flat major, Op. 35 (1889) | ||
+ | **No. 2 in G minor, Op. 73 (1899) | ||
+ | **No. 3 in A "Per aspera ad astra", Op. 158 (1918)<ref>{{cite journal|title=Downloadable Score of Stanford 3rd Trio|id={{hdl|1802/2054}}|year=1918|publisher=Augener Ltd}}</ref> | ||
+ | *Works for violin and [[piano]] | ||
+ | **[[Sonata]] No. 1 in D major, Op. 11 (1880) | ||
+ | **Sonata No. 2 in A major, Op. 70 (1898) | ||
+ | **Sonata No. 3, Op. 165 (1919) | ||
+ | **Legend, [[WoO]] (1893) | ||
+ | **Irish Fantasies, Op. 54 (1894) | ||
+ | **Five Characteristic Pieces, Op. 93 (1905) | ||
+ | **Six Irish Sketches, Op. 154 (1917) | ||
+ | **Six Easy Pieces, Op. 155 (1917) | ||
+ | **Five Bagatelles, Op. 183 (1921) | ||
+ | *Other works for solo instrument and piano | ||
+ | **Sonata No. 1 in A major for violoncello & piano, Op. 9 (1878) | ||
+ | **Sonata No. 2 in D minor for violoncello & piano, Op. 39 (1893) | ||
+ | **Three Intermezzi for [[clarinet]] & piano, Op. 13 (1880) | ||
+ | **[[Clarinet Sonata (Stanford)|Sonata for clarinet (or viola) & piano]], Op. 129 (1912) | ||
+ | *Other works for strings and piano | ||
+ | **[[Piano quartet]] No. 1 in F major, Op. 15 (1879) | ||
+ | **Piano quartet No. 2, Op. 133 (1912) | ||
+ | **[[Piano quintet]] in D minor, Op. 25 (1887) | ||
+ | * [[Serenade in F major (Stanford)|Serenade in F major]] for Nonet, Op. 95 (1906) | ||
+ | * Fantasy No. 1 in G minor for clarinet & string quartet, WoO (1921) | ||
+ | * Fantasy No. 2 in F major for clarinet & string quartet, WoO (1922) | ||
+ | * Phantasy for [[French horn|horn]] & string quartet in A minor, WoO (1922) | ||
+ | |||
+ | == Piano Music == | ||
+ | * Toccata in C Major, Op. 3 | ||
+ | * Three 'Dante' Rhapsodies, Op. 92 | ||
+ | * Six Characteristic Pieces, Op. 132 | ||
+ | * 24 Preludes in all the keys, Set I, Op. 163 | ||
+ | * Ballade, Op. 170 | ||
+ | * 24 Preludes in all the keys, Set II, Op. 179 | ||
+ | |||
+ | == Organ Music == | ||
+ | * Chorale Preludes (8) | ||
+ | * Chorale Preludes, Op. 182 | ||
+ | * Fantasia and Toccata, Op. 57 (1894, revised 1917) | ||
+ | * Fantasie on Intercessor, Op. 187 | ||
+ | * Four Intermezzi | ||
+ | * Idyl and Fantasia, Op. 121 | ||
+ | * Intermezzo on ''[[Londonderry Air]]'', Op. 189 | ||
+ | * Prelude and Fugue in E minor | ||
+ | * Quasi una Fantasia (1921) | ||
+ | * Six Occasional Preludes, 2 books | ||
+ | * Six Preludes, Op. 88 | ||
+ | * Six Short Preludes and Postludes, Op. 101 | ||
+ | * Six Short Preludes and Postludes, Op. 105 | ||
+ | **On a theme of [[Orlando Gibbons]] Song 34: The Angels' Song | ||
+ | **On a theme of Orlando Gibbons Song 22: | ||
+ | **Lento | ||
+ | **On a theme of Orlando Gibbons Song 24: | ||
+ | **Trio | ||
+ | **Allegro | ||
+ | * Sonata No. 1, Op. 149 (1917) | ||
+ | * Sonata "Eroica" No. 2, Op. 151 (1917) | ||
+ | * Sonata "Britannica" No. 3, Op. 152 (1918) | ||
+ | * Sonata "Celtica" No. 4, Op. 153 (1920) | ||
+ | * Sonata "Quasi Una Fantasia" No. 5, Op. 159 (1921) | ||
+ | * ''[[Te Deum]] Laudamus'' Fantasy | ||
+ | * Three Preludes and Fugues, Op. 93 (1923) | ||
+ | * Toccata and Fugue in D minor (1907) | ||
+ | * Fantasie and Fugue in D minor, Op. 103 (1907) |
Revision as of 07:20, 26 August 2016
Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Irish composer, music teacher, and conductor.
This is a List of compositions by Charles Villiers Stanford.
Contents
Operas
- Lorenza, Op. 55 (unpub.)
- The Veiled Prophet of Khorassan (1881)
- Savonarola (1884)
- The Canterbury Pilgrims (1884)
- Shamus O'Brien, Op. 61 (1896)
- Christopher Patch, the Barber of Bath, Op. 69
- Much Ado About Nothing, Op. 76a (1901)
- The Critic, or An Opera Rehearsed, Op. 144 (1916)
- The Travelling Companion, Op. 146 (produced 1925, posth.)
- The Marriage of Hero (unpub.)
- The Miner of Falun (Act I; unpub.)
Orchestral works
Symphonies
- No. 1 in B flat major (1876)
- No. 2 in D minor, "Elegiac" (1882)
- No. 3 in F minor, "Irish", Op. 28 (1887)
- No. 4 in F major, Op. 31 (1888) [1]
- No. 5 in D major, "L'Allegro ed il Pensieroso", Op. 56 (1894)
- No. 6 in E flat major, "In Memoriam G. F. Watts", Op. 94 (1905) [1]
- No. 7 in D minor, Op. 124 (1911)
Concertos
- Piano Concerto in B flat major, WoO (early- no. "0") (1874)[2][3]
- Violin Concerto in D major, WoO (early, 1875) [2][3]
- Cello Concerto in D minor, WoO (1879/1880) [2]
- Suite in D for violin and orchestra, Op. 32
- Piano Concerto No. 1 in G major, Op. 59
- Concert Variations upon an English Theme "Down Among the Dead Men" for piano and orchestra in C minor, Op. 71
- Violin Concerto in D major, Op. 74
- Clarinet Concerto in A minor, Op. 80
- Piano Concerto No. 2 in C minor, Op. 126 (1911)
- Violin Concerto No. 2 in G minor, Op.162 (1918) [4]
- Piano Concerto No. 3 in E flat major, Op. 171 (1919; unfinished, orchestrated by Geoffrey Bush) [2]
- Variations for violin and orchestra, Op, 180 (1921) [3]
- Concert Piece for organ and orchestra, Op. 181 (1921) [3]
Irish Rhapsodies
- Irish Rhapsody for orchestra No. 1 in D minor, Op. 78
- Irish Rhapsody for orchestra No. 2 in F minor, Op. 84 ("The Lament for the Son of Ossian")
- Irish Rhapsody for cello and orchestra No. 3, Op. 137
- Irish Rhapsody for orchestra No. 4 in A minor, Op. 141 ("The Fisherman of Loch Neagh and what he saw")
- Irish Rhapsody for orchestra No. 5 in G minor, Op. 147
- Irish Rhapsody for violin and orchestra No. 6, Op. 191
Other orchestral works
- Funeral March 'The Martyrdom'
- Oedipus Rex, incidental music, Op. 29
Choral works
Anthems and motets
- And I saw another Angel (Op. 37, No. 1)
- Eternal Father (Op.135)
- For lo, I raise up (Op. 145)
- If thou shalt confess (Op. 37, No. 2)
- 'How beauteous are thy feet' (published 1923)
- The Lord is my Shepherd (composed 1886)
- Three Latin Motets (Op. 38, 1905)
- Justorum animae
- Coelos ascendit hodie
- Beati quorum via
- Engelberg (1904)
Services
- Morning, Evening, and Communion services:
- B flat major (Op. 10)
- A major (Op. 12)
- F major (Op. 36)
- G major (Op. 81)
- C major (Op. 115)
- D major for Unison Choir (1923)
- Magnificat and Nunc dimittis settings:
- E flat major (1873; publ. 1996)
- F major (Queens' Service) (1872; edited Ralph Woodward and publ. 1995)
- on the 2nd and 3rd Gregorian Modes (1907)
- A major (Op. 12)
- B flat major (Op. 10)
- C major (Op. 115)
- G major (Op. 81)
Miscellaneous
- On Time, Choral Song for unaccompanied double choir, Op. 142 Poem by John Milton
- Magnificat in B flat major for unaccompanied double choir, Op. 164 (September 1918): dedicated to the memory of Parry
- Pater Noster (1874)
- 4 Part-Songs for SATB, Op. 47 (1892)
- Soft, soft wind
- Sing heigh ho
- Airly Beacon
- The Knight's tomb
- Six Elizabethan Pastorals for SATB, Op. 49
- To his flocks
- Corydon, Arise!
- Diaphenia
- Sweet love for me
- Damon's Passion
- Phoebe
- Six Elizabethan Pastorals for SATB (Second set), Op. 53
- On a hill there grows a flower
- Like Desert Woods
- Praised be Diana
- Cupid and Rosalind
- O shady vales
- The Shepherd Doron's jig
- Six Elizabethan Pastorals for SATB (Third set), Op. 67
- A carol for Christmas
- The Shepherd's anthem
- Shall we go dance?
- Love in prayers
- Of disdainful Daphne
- Love's fire
- Six Irish Folksongs for SATB, Op. 78
- Oh! breathe not his name
- What the bee is to the flow'ret
- At the mid hour of night
- The Sword of Erin
- It is not the tear
- Oh the sight entrancing
- 4 Part-Songs, for Male Voices TTBB, Op. 106
- Autumn Leaves
- Love's Folly
- To his flocks
- Fair Phyllis
- 4 Part-Songs, for SATB (also for SSAA) Op. 110
- Valentine's Day
- Dirge
- The Fairies
- Heraclitus
- 3 Part-Songs, for SATB Op. 111
- A Lover's Ditty
- The Praise of Spring
- The Patient Lover
- 8 Part-Songs for SATB, Op. 119 (to poems by Mary Elizabeth Coleridge)
- The Witch
- Farewell, my joy
- The Blue Bird
- The Train
- The Inkbottle
- The Swallow
- Chillingham
- My heart in thine
Works for choir and orchestra
- Elegiac Ode, Op. 21 (1884), words from When Lilacs Last in the Dooryard Bloom'd by Walt Whitman
- The Revenge, a ballad of the fleet, Op. 24 (1886) Words by Alfred, Lord Tennyson
- Mass in G major, Op. 46
- Requiem, Op. 63 (1896) [1]
- Te Deum, Op. 66 (1898; written for the Leeds Festival)
- Songs of the Sea for solo baritone, choir (mixed or men's voices) ad lib. and orchestra, Op. 91 (words by Henry Newbolt)
- Songs of the Fleet for solo baritone, SATB and orchestra, Op. 117 (words by Henry Newbolt)
- At the Abbey Gate, cantata for solo baritone, SATB and orchestra, Op. 177 (1921)
Songs for solo voice(s) and piano
- Six Songs (Op. 19)
- 3 Songs to poems by Robert Bridges (Op. 43)
- A Cycle of (9) Songs from The Princess of Alfred, Lord Tennyson for Quartet of solo voices (SATB) and piano (Op. 68)
- An Irish Idyll in Six Miniatures, words by Moira O'Neill (Op. 77)
- Songs of Faith Set 1 (Tennyson) (Op. 97, 1-3)
- Songs of Faith Set 2 (Walt Whitman) (Op. 97, 4-6)
- A Sheaf of Songs from Leinster: 6 songs to words by Winifred Mary Letts (Op. 140)
- Crossing the bar Words by Alfred, Lord Tennyson
- La belle dame sans merci, poem by John Keats
- A Corsican Dirge, poem translated from the Corsican by Alma Strettell
- Prospice, poem by Robert Browning
- The Milkmaid's song and The Lute Song, poems from "Queen Mary" by Alfred, Lord Tennyson
- To Carnations, poem by Robert Herrick
- Why so pale?, poem by Sir John Suckling
Chamber Music
- String quartets
- No. 1 in G major, Op. 44 (1891)
- No. 2 in A minor, Op. 45 (1891)
- No. 3 in D minor, Op. 64 (1897)
- No. 4 in G minor, Op. 99 (1907)
- No. 5 in B flat major, Op. 104 (1908)
- No. 6 in A minor, Op. 122 (1910)
- No. 7 in C minor, Op. 166 (1919)
- No. 8 in E minor, Op. 167 (1919)
- Other works for string ensemble
- String quintet No. 1 in F major, Op. 85 for two violins, two violas & cello (1903)
- String quintet No. 2 in C minor, Op. 86 (1903)
- Piano trios
- No. 1 in E flat major, Op. 35 (1889)
- No. 2 in G minor, Op. 73 (1899)
- No. 3 in A "Per aspera ad astra", Op. 158 (1918)[5]
- Works for violin and piano
- Other works for solo instrument and piano
- Sonata No. 1 in A major for violoncello & piano, Op. 9 (1878)
- Sonata No. 2 in D minor for violoncello & piano, Op. 39 (1893)
- Three Intermezzi for clarinet & piano, Op. 13 (1880)
- Sonata for clarinet (or viola) & piano, Op. 129 (1912)
- Other works for strings and piano
- Piano quartet No. 1 in F major, Op. 15 (1879)
- Piano quartet No. 2, Op. 133 (1912)
- Piano quintet in D minor, Op. 25 (1887)
- Serenade in F major for Nonet, Op. 95 (1906)
- Fantasy No. 1 in G minor for clarinet & string quartet, WoO (1921)
- Fantasy No. 2 in F major for clarinet & string quartet, WoO (1922)
- Phantasy for horn & string quartet in A minor, WoO (1922)
Piano Music
- Toccata in C Major, Op. 3
- Three 'Dante' Rhapsodies, Op. 92
- Six Characteristic Pieces, Op. 132
- 24 Preludes in all the keys, Set I, Op. 163
- Ballade, Op. 170
- 24 Preludes in all the keys, Set II, Op. 179
Organ Music
- Chorale Preludes (8)
- Chorale Preludes, Op. 182
- Fantasia and Toccata, Op. 57 (1894, revised 1917)
- Fantasie on Intercessor, Op. 187
- Four Intermezzi
- Idyl and Fantasia, Op. 121
- Intermezzo on Londonderry Air, Op. 189
- Prelude and Fugue in E minor
- Quasi una Fantasia (1921)
- Six Occasional Preludes, 2 books
- Six Preludes, Op. 88
- Six Short Preludes and Postludes, Op. 101
- Six Short Preludes and Postludes, Op. 105
- On a theme of Orlando Gibbons Song 34: The Angels' Song
- On a theme of Orlando Gibbons Song 22:
- Lento
- On a theme of Orlando Gibbons Song 24:
- Trio
- Allegro
- Sonata No. 1, Op. 149 (1917)
- Sonata "Eroica" No. 2, Op. 151 (1917)
- Sonata "Britannica" No. 3, Op. 152 (1918)
- Sonata "Celtica" No. 4, Op. 153 (1920)
- Sonata "Quasi Una Fantasia" No. 5, Op. 159 (1921)
- Te Deum Laudamus Fantasy
- Three Preludes and Fugues, Op. 93 (1923)
- Toccata and Fugue in D minor (1907)
- Fantasie and Fugue in D minor, Op. 103 (1907)
Cite error: <ref>
tags exist, but no <references/>
tag was found